Artwork by H.H. Dorje Chang Buddha III Reposted from IAMA
admin
Artwork by H.H. Dorje Chang Buddha III Reposted from IAMA
Artwork by H.H. Dorje Chang Buddha III Reposted from IAMA
This is a Chinese ink-and-wash painting of fine brushwork. However, it has a three-dimensional feeling suggestive of oil paintings. The first version of it was just a quick sketch made by H.H. Dorje Chang Buddha III in Xi Shuang Ban Na, Yunnan Province. After He brought it back to Sichuan, He completed the painting with fine, delicate, meticulous brushwork. In order to achieve charming, harmonious coloring that provides a sense of comfort and warmth, He chose light brown as […]
Artwork by H.H. Dorje Chang Buddha III Reposted from IAMA
The Miaoxie Style Subtle, fine brushwork and freehand brushwork blend into one. White lines are formed through the delicate, refined, marvelous application of ink rather than through the use of white paint. The artist produces the effect of a realistic painting with meticulous attention to detail even though He applies the freehand style. Artwork by H.H. Dorje Chang Buddha III Reposted from IAMA
Menglong “The remotest corners of the earth are still part of the human world. Those who search for the truth in their dreams perceive themselves as wise, virtuous persons. To find out through which mountain pass you can leave this dusty world full of impediments, look for the cave hole with remnants of light, for that will lead to the Land of Peach Blossoms.” H.H. Dorje Chang Buddha III wrote this poem containing a profound message in order to […]
The Pomo Xiantiao Xiezhen Style The splash-ink technique is merged with the center brush-tip technique to create realistic paintings of landscapes. Artwork by H.H. Dorje Chang Buddha III Reposted from IAMA
Artwork by H.H. Dorje Chang Buddha III Reposted from IAMA
The Pomo Weiyun Style Use of bold and vivacious ink hues to revealed refined and extraordinary details of the subject; a rich charm is evinced that is both subtle and wonderful. Artwork by H.H. Dorje Chang Buddha III Reposted from IAMA